NOTES
- Body as object
- Body as performance
- Common thread at this stage = PROVISIONALITY
- Can you apply this to performance?
- Provisional Painting article - re read
- ARTIST - John Reynolds
- Failure - of the practical elements. All work stands on the brink of failure
- Colour - relation to surrounding architecture outside. Texture, colour, concrete
- Orange - monochromatic plane that screams painting! Doesn't distract though, touches in and out
- Relationship between formal elements of materials - sharp edges of wood v's softness of clay
- Stick - measuring hight - body relationship
- Line on floor - conscious decision? = SITE RESPONSIVE/ SITE SPECIFIC
- Drawings - not big connecting between work and drawings
- Light - how it interacts with my work
Things to take and work through next.....
I flit in and out of using paint with a painting context. Last year I wanted to pull my practice back a little closer to painting, through monochromatic colour fields. So this year I want to figure out wether or not I want a conversation about painting as a trajectory in my practice.
Think through different ways to think about provisionality and failure.
Site specific and site responsive work.
Think through different ways to think about provisionality and failure.
Site specific and site responsive work.
Three Drawings, (21/03/2013), found wood, rubber bands.
Staying Orange, (21/03/2013), found wood, blue rope, acrylic paint, plaster.
Standing post, (21/03/2013), found wood, clay.
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